The latest and, as ever, fascinating annual statistical handbook from the BFI allows the elves here at The Producer’s Cut to update the all-time top Scottish films at the UK Box office (NB Adjusted for inflation) with not one but two films making it into the list from 2013. Not surprisingly perhaps Sunshine on Leith and Filth, having briefly occupied the number 2 and 3 spots at the UK box office in 2013 have quickly joined the all time Scottish top ten at number 4 and 6 respectively. Trainspotting remains the undisputed top dog with 25% of the total box office garnered by the ten films and indeed all but one of the top five films are from the 1990s. Inevitably the definition of ‘Scottish’ used here is subjective – both Rob Roy and Last King of Scotland could be ruled out on production origin terms (as could even Mrs Brown for that matter) but allowing for that caveat we can see that there’s no real pattern to the best-selling Scottish movies other than that from thrillers to a musical they managed to strike a chord with the film-going public.
|UK Box Office £ (adjusted for inflation)
|The Last King of Scotland (2006)
|Shallow Grave (1995)
|Sunshine on Leith (2013)
|Rob Roy (1995)
|This Year’s Love (1999)
|Mrs Brown (1997)
|Magdalene Sisters (2002)
|The Angels Share (2012)
After an absurdly long time (ten years to be precise) I’m pleased to reveal that I’ve got a new film premiering at Filmhouse in Edinburgh next month (or two if you count executive producer credits which of course I don’t 🙂 ) Advising the unquestionably Stellar Quines on the transfer of their hit play The List to the big screen gave me the opportunity to shoot a behind the scenes doc on the collaborative process between film director Morag McKinnon, theatre director Muriel Romanes and Maureen Beattie, star of the one woman play by Canadian dramatist Jennifer Tremblay, translated from the French by Shelly Tepperman. The collaboration was supported by an ‘innovation follow on’ award from the Scottish Funding Council which allowed me to advise Stellar Quines on the creative, commercial and practical aspects of turning theatre into cinema and connect them up with the right talent and skills to realise their ambitions. As it turned out the film director of The List is an Edinburgh Napier graduate, as was the film production manager Lili Sandelin, DIT Mihail Ursu and Karel Dolak the online editor of ‘Filming The List’. Former staff member Rob Walker recorded and mixed the sound for The List while current staff member Ross Buchanan mixed ‘Filming…’. So all in all the whole project has been a shining example of collaboration, both between theatre and film and between university and the arts. Tickets for the Filmhouse screening are on sale now and the films will be in Dundee at DCA on Tuesday 5th. Further dates and venues t.b.c.