Where have all the co-pros gone?

While the world’s media were heading to Cannes to traipse the Croisette and the red carpet (where, incidentally, our own Lynne Ramsay’s adaptation of We Need to Talk About Kevin has been very well received), MEDIA, the EU’s support scheme for pan-European collaboration last week announced the results of its latest round of funding.

The good news is that Accidental Media, a Scottish based company founded by Tomas Sheridan (an Edinburgh Napier graduate and 2009 participant in ENGAGE, Screen Academy Scotland’s European coproduction workshop which is itself funded by MEDIA) has secured Single Project Development funding for ‘Babel’s Market’ which was a runner-up in the 2009 ENGAGE competition.

Accidental’s €11,488 award amounts to 3% of the total €413,393 in single project funds awarded to UK-based companies so far this year.

The less good news is that Accidental are the only Scottish beneficiaries out of nineteen UK companies awarded a total of €1.6m across all of the MEDIA schemes from single project and slate development to interactive projects and TV distribution.  That makes the Scottish share of MEDIA funds thus far (there’s a second call whose results will be announced later in the year) less than 1% of the UK total and would appear to the confirm the trend over the last decade which we noted here last October .

In itself the share of MEDIA funding secured by Scottish companies needn’t  automatically be cause for concern, but taken together with the seeming absence of much recent co-production activity across film or TV there are clear signs that the Scottish production sector is not securing the international finance or distribution that it arguably needs to ensure growth or indeed sustainability.  Cinema is almost inherently international these days as the UK domestic market is simply too small to finance anything other than ultra low budget films.  In television, while there is undoubtedly plenty of scope for Scottish companies to grow within the context of UK network commissions, co-production is an increasing opportunity if not a pre-requisite in higher-end factual programming in genres like natural history, history, science and arts.

While of course it’s gratifying that ENGAGE has helped at least one Scottish company on the road to international co-production, it would be good to see more alongside it  The development support available from the MEDIA programme is a very valuable aid to getting projects off the drawing board and into serious development and if there are reasons Scottish companies aren’t applying or are relatively less successful in securing support these clearly need to be addressed.

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